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News

Take part in the FCPX survey

May 6, 2016
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Thanks to everyone who participated and a special thanks to our winners who scored a free pass for FCPWORKS’ own workflow training series, XinTwo!

FCP Exchange @ NAB 2016

March 28, 2016 Tags: ,
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FCP Exchange continues at NAB 2016 . This special session takes place in Las Vegas at the Renaissance hotel, right next to the main Convention Center from April 18-19th, 2016. Some highlights:

  • Guest filmmaker workflows and case studies including Apple, Softron and more.
  • Tips and tricks to maximizing Final Cut Pro X from pros and developers.
  • Networking and interaction with fellow FCPX editors and enthusiasts.

Join the Exchange!

View the FCP Exchange NAB 2016 schedule & directory.

 

For more information and to register, please visit:

http://www.fcpexchange.com

ABOUT THE AUTHOR

FCPWORKS Noah Kadner

FCPWORKS Noah Kadner

This blog post contains the personal musings of FCPWORKS’ Marketing Director, Noah Kadner. Prior to joining the company, Noah spent several years at Apple where he worked with internal Workflow and Editorial teams in support of Final Cut Pro X customers. Noah also directed a feature film available on iTunes called Social Guidance and wrote “RED: The Ultimate Guide to the Revolutionary Camera.” Noah’s ongoing career goal is communicating digital post-production workflows to experts and enthusiasts alike.You can follow him on Facebook or Twitter at @FCPWORKS.

FCP X 10.2.3 is out, here’s how to get the most from it.

February 4, 2016 Tags: , , ,
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•Customizable Default Video/Audio Effect
Now with audio and video as separate customizable effects. The default audio and video effects are EQ and color corrector out of the box. So if you happen to have a different favorite audio or video filter you’d like to choose as your default and apply via a keyboard shortcut you’ll be all set. Keyboard shortcuts are ⌥⌘E for Add Default Audio Effect, and ⌥E for Add Default Video Effect.

•Faster Performance for Libraries on a SAN
This is a mighty feat of engineering that has been desired since Final Cut X was first released way back in 2011. If you’re not working in a shared environment with other editors this is not something you care about.

This feature opens up huge new workflow potential and is a major leap forward toward X’s viability in more enterprise grade post/broadcast environments.

However if you do work across a SAN, this is really critical. It now means Libraries can be kept on a SAN volume without the performance hit normally associated with it that forces many users to keep Libraries on local volumes. This feature opens up huge new workflow potential and is a major leap forward toward X’s viability in more enterprise grade post/broadcast environments.

El Capitan FCPX Timecode
Timecode Display is (finally!) Fixed in El Capitan
Ok this one may not be that sexy. But if you’re using X day in and day out in the latest version of OS X you’re looking at the TC display constantly. You want this…

•Canon XF-AVC import from the Canon C300 Mark II
Canon’s C300 cameras are incredibly popular in the episodic, broadcast and event videographer world. The more native support in FCPX the better.

•Ability to Share video to different YouTube accounts
If you’re on a shared system or you run multiple YouTube accounts, it’s great to not have to re-enter share credentials every time you want to export direct. For the YouTube stars of the world this will be a major time-saver.

•4K Support for more current Apple Devices
Again, another no-brainer for those of us who like to screen completed projects looking their best on iPhone/iPad. Having native Share support directly in FCPX means optimal image quality format. The iPad Pro’s screen is especially well suited to showing off 4K originated footage. It’s truly a golden age for playback.

avc-longG
•Support for more Video Formats
Yep, let’s rejoice in AVC-LongG, XAVC, and XF-AVC. These are formats used in HD/4K for cameras from Canon, Panasonic and Sony. The camera makers constantly like to reinvent new flavors of codecs for their gear. Wish they’d all just get along to ProRes and be happy but until that day comes let’s shoot up cheers to see support in FCPX catching up to what the cameras are shooting as quick as possible.

•Tons of bug fixes and performance improvements
In our bays, FCPX has been remarkably stable and fluid for a number of versions now. It’s great to see the FCPX team keeping vigilant on squashing remaining bugs and increasing overall stability. With each new release X gets more robust and battle-ready.

Hold off on updating until you’re about to begin a new Project for the easiest transition.

•The Bottom Line
We recommend of course as always, don’t do an update in the middle of a project if you can wait. Hold off on updating until you’re about to begin a new Project for the easiest transition. Our kudos to the FCPX team for hitting another major milestone. Now about that Send to Motion…

ABOUT THE AUTHOR

FCPWORKS Noah Kadner

FCPWORKS Noah Kadner

This blog post contains the personal musings of FCPWORKS’ Marketing Director, Noah Kadner. Prior to joining the company, Noah spent several years at Apple where he worked with internal Workflow and Editorial teams in support of Final Cut Pro X customers. Noah also directed a feature film available on iTunes called Social Guidance and wrote “RED: The Ultimate Guide to the Revolutionary Camera.” Noah’s ongoing career goal is communicating digital post-production workflows to experts and enthusiasts alike.You can follow him on Facebook or Twitter at @FCPWORKS.

FCP Exchange – Session Two

January 20, 2016 Tags: ,
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We’re continuing our collaboration with Peter Wiggins over at FCP.co and the good folks at AbelCine to bring you FCP Exchange, our Final Cut Pro X Workshop series. The second session is March 5th in Los Angeles. Just like our events at NAB and FCP EXPO, you’ll learn straight from working professionals. Some highlights:

  • Guest filmmaker workflows and case studies.
  • Tips and tricks to maximizing Final Cut Pro X from pros and developers.
  • Networking and interaction with fellow FCPX editors and enthusiasts.

Session two features Collaborative Workflows and Shared Storage Solutions.

Join the Exchange!

For more information and to register, please visit:

http://www.fcpexchange.com

ABOUT THE AUTHOR

FCPWORKS Noah Kadner

FCPWORKS Noah Kadner

This blog post contains the personal musings of FCPWORKS’ Marketing Director, Noah Kadner. Prior to joining the company, Noah spent several years at Apple where he worked with internal Workflow and Editorial teams in support of Final Cut Pro X customers. Noah also directed a feature film available on iTunes called Social Guidance and wrote “RED: The Ultimate Guide to the Revolutionary Camera.” Noah’s ongoing career goal is communicating digital post-production workflows to experts and enthusiasts alike.You can follow him on Facebook or Twitter at @FCPWORKS.

FCP Exchange – Extras from Thomas Grove Carter

November 30, 2015 Tags: , ,
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FCPX Anim 01

As you might have heard, the first session of our FCP Exchange workshop series that FCPWORKS is co-producing with FCP.co went quite well last October. As a follow up, we’re proud to present this group of new workflow videos from Thomas Grove Carter of Trim Editing. These videos were produced by Alex Snelling of Slack Alice Films. Some highlights:

  • Retiming tricks.
  • How to edit and make changes to a moving timeline.
  • Maximizing clip connections and the magnetic timeline.

We think you’ll find these clips highly informative and easy to follow. Please feel free to share them with folks using competitive NLEs as well.

Here’s Thomas’ completed Audi commercial cut in Final Cut Pro X from these demos:

And some additional amazing work from Trim Editing:

For more information and to register for FCP Exchange, please visit:
http://www.fcpexchange.com

 

ABOUT THE AUTHOR

FCPWORKS Noah Kadner

FCPWORKS Noah Kadner

This blog post contains the personal musings of FCPWORKS’ Marketing Director, Noah Kadner. Prior to joining the company, Noah spent several years at Apple where he worked with internal Workflow and Editorial teams in support of Final Cut Pro X customers. Noah also directed a feature film available on iTunes called Social Guidance and wrote “RED: The Ultimate Guide to the Revolutionary Camera.” Noah’s ongoing career goal is communicating digital post-production workflows to experts and enthusiasts alike.You can follow him on Facebook or Twitter at @FCPWORKS.

News Graphics Plugin from Idustrial Revolution

October 19, 2015 Tags: , , , , , , ,
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Here’s a news story about the XEffects News Graphics plug-in from our good friends over at Idustrial Revolution and FxFactory. You know exactly what these look like because you see them all day long on TV monitors in airports, restaurants, hotel lobbies and in the comfort of your own home. Check out this sample of what News Graphics ($49) can do:

News Graphics Timeline

This plugin makes short work of all kinds of ubiquitous news graphics standards including tickers, bugs, DVE, picture in picture and more.

Some specific features:

  • Six preset color palettes in every template or choose your own
  • Use any font, any color, any size
  • Build In & Out animations on templates to choose between cuts & adjustable animations
  • Many display options and positioning on every template
  • Shrinkback effect controls all video DVE moves without key-framing
  • Not locked in to a single template, layer many elements on top of each other
  • Color shaded background, transition & title wipe included
  • 4K Ready

We came up with this shot in just the first couple of minutes of playing around with the plugin:

News Graphics Output

You’ll find the Shrinkback effect in the FCPX Effects Browser:

News Graphics Effect

and everything else in the Titles Browser:

News Graphics Titles

Settings are very simple and easy to use:

News Graphics Settings

If you’re doing any sort of project that requires news graphics you want this plugin. I can see it being useful for corporate videos, news shows, online streaming and more. Sure you could make these kinds of things on your own in Motion if you really wanted to…

…. but why waste days of your time when all the hard work has already been done for you. Go grab XEffects News Graphics instead for just $49. There’s also a free trial and tutorials available here: http://www.idustrialrevolution.com/x7-news-graphics

Look out for a few free copies at the October 24th, 2015 edition of FCP eXchange too.

ABOUT THE AUTHOR

FCPWORKS Noah Kadner

FCPWORKS Noah Kadner

This blog post contains the personal musings of FCPWORKS’ Marketing Director, Noah Kadner. Prior to joining the company, Noah spent several years at Apple where he worked with internal Workflow and Editorial teams in support of Final Cut Pro X customers. Noah also directed a feature film available on iTunes called Social Guidance and wrote “RED: The Ultimate Guide to the Revolutionary Camera.” Noah’s ongoing career goal is communicating digital post-production workflows to experts and enthusiasts alike.You can follow him on Facebook or Twitter at @FCPWORKS.

FCP Exchange – A Final Cut Pro X Workshop Series

October 8, 2015 Tags: ,
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We’re teaming up with Peter Wiggins over at FCP.co and the good folks at AbelCine to bring you FCP Exchange, a new Final Cut Pro X Workshop series. The first session is October 24th in Los Angeles. Just like our events at NAB and FCP EXPO, you’ll learn straight from working professionals. Some highlights:

  • Guest filmmaker workflows and case studies.
  • Tips and tricks to maximizing Final Cut Pro X from pros and developers.
  • Networking and interaction with fellow FCPX editors and enthusiasts.

We think you’ll find this series highly informative and useful. We hope to bring a wider audience to Final Cut Pro X and show way creatives are using it to maximize their workflows. These events are educational but also represent an excellent opportunity to meet other filmmakers and participate in the community. We welcome FCPX editors and enthusiasts at all levels.

Join the Exchange!

For more information and to register, please visit:

http://www.fcpexchange.com

ABOUT THE AUTHOR

FCPWORKS Noah Kadner

FCPWORKS Noah Kadner

This blog post contains the personal musings of FCPWORKS’ Marketing Director, Noah Kadner. Prior to joining the company, Noah spent several years at Apple where he worked with internal Workflow and Editorial teams in support of Final Cut Pro X customers. Noah also directed a feature film available on iTunes called Social Guidance and wrote “RED: The Ultimate Guide to the Revolutionary Camera.” Noah’s ongoing career goal is communicating digital post-production workflows to experts and enthusiasts alike.You can follow him on Facebook or Twitter at @FCPWORKS.

FCP EXPO 2015 Roundup

September 18, 2015 Tags: ,
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Our FCP EXPO event at IBC 2015 was a huge success.

Sam Mestman presents at FCP EXPO

We loved working with Alex Snelling and Soho Editors and watching to the great presentations and case studies. Some of the highlights included:

Dashwood 3D’s 360VR Toolbox suite of virtual reality plugins. If you’re interested in VR and the Oculus Rift you need these. Not only can you view live edits on the Oculus Rift you can also do cool things like adding titles in 3D space and transitions.

If VR ever really takes off, these kinds of tools will be essential. Tim also mentioned some secret additional cool features on the way soon. Keep watching this space.

The good gents at Intelligent Assistance again showed great ways to collect metadata on set and follow it all the way through post with Lumberjack System.

Frame.io showed off their cloud-collaboration integration with FCPX. Really a lovely workflow and aesthetically pleasing tool. Blackmagic showed how straightforward and cost-effective 4K production has become thanks to their democratizing gear. Their OB van was pretty awesome too.

Blackmagic OB Van

Folks from the Apple Marketing team were also on-hand both to give a presentation about the current version of FCPX and profile some interesting case studies. It’s great to see interaction from the team with fellow filmmakers and editors.

Thomas Grove Carter showed off his truly groundbreaking editorial work with some quite impressive commercial spots edited in FCPX.

Other highlights included great networking with folks like Alex4D, whose IBC wrap-up is here and FCP.CO’s Peter Wiggins.

FCPEXPO IBC2015

FCP EXPO was a fantastic event and the place to be for FCPX during IBC 2015. For even more information about it, please visit: http://www.fcpworks.com/ibc-2015-fcp-expo/

With any luck we’ll have some videos up from this event to share before too long. We’ll see you all next year.

ABOUT THE AUTHOR

FCPWORKS Noah Kadner

FCPWORKS Noah Kadner

This blog post contains the personal musings of FCPWORKS’ Marketing Director, Noah Kadner. Prior to joining the company, Noah spent several years at Apple where he worked with internal Workflow and Editorial teams in support of Final Cut Pro X customers. Noah also directed a feature film available on iTunes called Social Guidance and wrote “RED: The Ultimate Guide to the Revolutionary Camera.” Noah’s ongoing career goal is communicating digital post-production workflows to experts and enthusiasts alike.You can follow him on Facebook or Twitter at @FCPWORKS.

Role-O-Matic Rocks Audio Roles in FCPX

August 6, 2015 Tags: , ,
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FCPWORKS guest blogger Charlie Austin has addressed a cool workflow need with a new app. And the best part is it’s totally free.

For more details, here’s Charlie in his own words:

A couple weeks ago I released Role-O-Matic, a little app that, using FCPXML, allows you to batch assign audio Roles and Subroles and rename the components to match with lots of multichannel files. I cut trailers, and pretty much all my source files consist of 5-6  reels of picture with split DME audio, so 3-4 channels or more. Some of you may have multichannel audio files from production sound recording, it’s a pretty common thing. 

And, as you know, the only way to set Roles on individual components (Dialogue/Efffects/Filled Effects/Music etc,) is to open each clip in a timeline one after the other and set the Roles on each component. Not bad with a couple files, drudgery with 5, 6, a dozen or more. I figured there had to be an easier way.

After a little more thought and fcpxml treasure hunting, I could see exactly what needed to be done. There was just one, little problem. I had no idea how to do it. Fortunately I found someone who *did* know how to do it,  (Thanks Hiroto!) and with a little tweaking and fumbling on my part, Role-O-Matic was unleashed. Here’s how it works…

rom2prompt

You create an Event in FCP X containing all the clips to which you’d like to assign common Roles. You can mix audio and video files, as well as files with differing numbers of channels, so It’s pretty versatile. the only thing to remember is the “common” part. If you’d like to assign Roles A,B,C,D etc, CH1 in every file will get Role A, CH2 in every file will get Role B, 3 gets C.. you get the picture. You need to do a little simple prep beforehand, (details in the instructions of course) but it’s super easy.

After your Event is set, export xml, and launch Role-O-Matic. Open the file you just exported and tell the app where to save the new one it will create. Role-O-Matic will then prompt you to enter Roles and Subroles for video clips first, then audio clips. You’ll have an opportunity to confirm what you’ve entered and redo it if needed. 

romflow

It will then set all the Roles, rename the components to match the Roles, and create your new fcpxml. Import that into FCP X and you have a new event, with all your clips Roles set and nicely renamed. If your clips have existing custom names, you’ll get an additional prompt asking if you’d like to change them, or leave them as is. Easy, and an enormous time-saver.

If you need to work with a lot of multichannel audio, I think you’ll like it. The only limitation is that it can’t set Roles or rename the components of interleaved files. Stereo pairs, 5.1 surround files etc. Anything where FCP X sees the file as a single component in a timeline. You can set the Role on the component, but not it’s contents. Once again, I can see what probably needs to be done to be able to do this but, uh… don’t hold your breath. Much more exciting detail is in the Manual,which you really should read. Give it a try!, It is free after all. If you’re bored, here is a little 7 minute tutorial/demo, in my trademark rambling semi coherent style:

ABOUT THE AUTHOR

Charlie Austin

Charlie Austin.

This blog post contains the personal musings of Guest Blogger Charlie Austin. Charlie Austin is a fancy, award-winning editor. He began editing with Media Composer, has worked in FCP Classic, FCP X, Premiere, and has dabbled in Resolve, Lightworks, and Hit Film. He likes FCP X best of all. Over the course of his career he has worked as a professional musician, a post production mixer, and worn a variety of hats in film, TV, and live production.

He currently cuts trailers and other advertising for the talking pictures in Hollywood. You can read his blog over at fcpxpert.net

You can also follow him on Twitter at @fcpxpert1.

Creating Music with FCPX

July 16, 2015 Tags: , , , ,
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Introduction

Noah here, if you’ve ever met the FCPWORKS team during a trade show like NAB or IBC, you may know we occasionally host after show karaoke parties. We even carry a portable karaoke kit in a lovely Italian HPRC case (more on that in another blog). For some folks it has been a life-changing event. 

For example, Philip Hodgetts from Intelligent Assistance became so emboldened by our karaoke round at NAB 2014 in Vegas that he decided to take pro singing lessons and up his game. 

Inspired by Phil’s recent singing presentation during a session at the FCPX Summit in San Jose, I wanted to get in on the fun. I set out with a specific technical challenge: record songs without a recording studio or a crew and then master them using Final Cut Pro X.  

The Mobile Studio

Recording music ideally requires a enclosed space with great acoustics. So how about we do it with a truck instead? In this case I went with a Honda Odyssey minivan. It’s not quite Abbey Road but it’s got it where it counts. And where it counts is in this case is that I have access to one.  

01_FCPX_Music_Car_Studio01

Audio Recording Setup

With the studio set, I went for the recording equipment. For my “backing band” I chose the Karaoke Anywhere app on an iPhone 6+. (We use this same app for our FCPWORKS parties.) The song selection is not always vast but it’s easy to pick new songs and download them instantly. 

The iPhone can record the singing directly. But then the vocals are pre-mixed with the music tracks and I wanted flexibility in post. So I went with a Zoom H1 Handy recorder. The H1 is extremely compact with decent built-in microphones and preamps. 

Zoom H1 Handy

The H1 is also capable of WAV recording at up to 24-bit/96kHz quality. And it’s easy to mount just about anywhere. This is handy indeed inside my mobile minivan studio.  

Video Recording Setup

This is FCPWORKS so we’d need some video too. Considering the compact space and the no crew aspect, a GoPro seemed like a good match. I went with a GoPro Hero 3+ Silver Edition shooting in 1080p with a suction cup mount. What’s lovely about the GoPro is you can mount it and then trigger it with the GoPro App. This proved a little tricky for me because I was already playing the music on the phone. But I could start recording and then switch apps to Karaoke Anywhere. 

Production Workflow

Now I don’t necessarily recommend driving and singing karaoke at the same time. There is of course Carpool Karaoke. Then again it’s fairly possible that James Corden is being towed or at least escorted for these segments. There’s also this as precedent.  

The actual production steps were straightforward:  

  1. Start GoPro recording via the GoPro app. 
  2. Start audio recording on H1. 
  3. Choose and start song on Karaoke Anywhere. 
  4. Sing. 

I did this for a number of longish takes where I’d do at least 2 or 3 songs per take. Occasionally, I’d cut if a fellow driver started eyeballing me at a stoplight or if traffic conditions got especially challenging. 

Post-Production Workflow — Ingest

With the videos and audio recorded, it was time to get off the road and into FCPX for some editing. I actually wanted to try Logic Pro X for this occasion as it is geared toward audio editing mastering. But as soon as I started to work in Logic I felt like it was overkill for my two little audio tracks. Also I wanted to do some video edits and color correction so I’d need FCPX anyway. Also and this is key, most of the Logic filters and plugins are available in FCPX directly including their customer UI’s so it’s best of both worlds.  

Once in FCPX I’d first import the GoPro video clips, the Zoom H1 audio tracks. I’d also import the isolated music tracks from Karaoke Anywhere, which can be copied from the iPhone onto your Mac via iTunes. Before this I brought the MP3 from Karaoke Anywhere into Twisted Wave (my favorite audio swiss army knife) to convert them to 96/24 AIFs. Technically this step could be skipped but then you’re doing live sample conversion on the fly, which increases system overhead and can lead to audible popping/sync errors.  

Twisted Wave Audio Editing

Twisted Wave Audio Editing

I wanted to have the audio and video on different lanes so my workflow was a bit of a special design. First I’d match up corresponding GoPro, H1 and music track takes in the Event Browser and then File>New Multicam Clip. Then I’d step into the multicam clip and confirm audible sync between picture and sound. 

Sync markers in a Multicam Clip

Sync markers in a Multicam Clip

Finally I’d add a marker about halfway through each song on the 3 pieces of media. Next, copy the tracks and step out into a new Project Timeline, paste everything and make sure the markers from the multicam still line up so everything is in sync. I could have done it entirely in the Multicam editor but other than the initial sync I wanted magnetic editing so I could make quick changes/edits.  

Project Marker Sync

Project Marker Sync

Post-Production Workflow — Edit 

Generally speaking I didn’t make many cuts. The songs were complete takes from start to finish so I’d occasionally do a blade halfway down the track and slide the audio a few samples if sync was slipping. But generally I didn’t on these relatively short takes. I added a nice fade in/out for each song and that was about it. The rest was mixing. 

Original GoPro Take

Original GoPro Take

Post-Production Workflow — Mixing 

I’m not an audio engineer by trade but I know a few things. First was getting the balance between the singing track and the karaoke music right. That meant looking at the audio meters and carefully raising and lowering the volume levels until it sounded right to ear. Also the original GoPro audio was redundant and didn’t sound nearly as clear as the H1 audio so I’d just disable it entirely but keep it attached for sync reference.  

Post-Production Workflow — Audio Filters 

For most of the songs I added 3 audio filters: Pitch Correction, Fat EQ and PlatinumVerb. The pitch correction is fun because it shows you where you’re actually singing on key or not and you can apply some degree of correction. You have to be judicious as too much sounds unnatural (don’t tell this to Kanye). I found a little really helped.  

Pitch Correction Custom UI in FCPX

Pitch Correction Custom UI in FCPX

Fat EQ helped overcome the limitations of the car as recording environment and its boominess. It also helped a bit to overcome the solid if not amazing built-in mics on the H1. I have a Sanken COS-11D lavalier and a Shure SM58 handheld mic I’d probably try next time for better sounding recordings.  

Finally, PlatinumVerb adds some nicely shaped echo into the mix. This also helps overcome inherent singing mistakes and makes the environment sound less flat and dry. Again a little goes a long way and you don’t want to sound like you’re in a cathedral choir.  

Audio Filters in the Inspector

Audio Filters in the Inspector

Post-Production Workflow — Video Filters 

I felt like this footage should be black and white and grainy like a behind-the-music special or something along those lines. So I removed the color with the Saturation tab in the Color Board and added a Film Grain filter with the Realistic Grain style. I also added a vignette with a Color Board Mask to boost up the exposure inside the car while keeping the streets outside the window from totally blowing out. 

Shape Mask in the Color Board

Shape Mask in the Color Board

I also enlarged the GoPro 1920×1080 footage to 125% for a little better framing. I was impressed with how well the relatively highly compressed footage held up to grading and scaling.  

Exporting

With the edits for each song pretty much complete, I went to export to Master Files as ProRes HQ. I could have gone directly to online sharing services or to H.264 but I wanted to have a high quality master. 

From there I opened up in the QuickTime Player and exported to the stock 720p setting. I could also have done this as a Share Bundle within FCPX but sometimes you just want to bang some out as quickly as you can. 

Conclusion

Without further adieu, here are the results. Hope you enjoy these and maybe get inspired to let your own inner voice bust out:

I also did one song without the camera running but it turned out decent, so here we go: 

Through this fun experience, I learned the following: 

  • The GoPro is perfect for unattended camerawork within a moving vehicle. 
  • The acoustics inside a moving van are surprisingly decent. 
  • The good folks on the road in San Francisco are very accepting.
  • FCPX alone can be used to produce music. 

We’d love to share the singing fun with you in-person at our next show. Maybe NAB? IBC? We’ll see you. Please drop us a line and we’ll add you to our guest list. 

Products mentioned

Zoom Handy H1 Audio Recorder

GoPro Hero 

Software

Logic Pro X 

Final Cut Pro X 

Twisted Wave 

iOS

Karaoke Anywhere app 

GoPro App 

ABOUT THE AUTHOR

FCPWORKS Noah Kadner

FCPWORKS Noah Kadner

This blog post contains the personal musings of FCPWORKS’ Marketing Director, Noah Kadner. Prior to joining the company, Noah spent several years at Apple where he worked with internal Workflow and Editorial teams in support of Final Cut Pro X customers. Noah also directed a feature film available on iTunes called Social Guidance and wrote “RED: The Ultimate Guide to the Revolutionary Camera.” Noah’s ongoing career goal is communicating digital post-production workflows to experts and enthusiasts alike. You can follow him on Facebook or Twitter at @FCPWORKS.